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Bentarasko Benta Section 20
Page 10
Mrs. Chapman, remembering that such events did not occur every day, resolved not to be outdone by any of them. She was sure a little display would not be wasted; and had spent four hours "getting herself elegant." She had more than half a suspicion that there would be some New York people present, and it would not do to be outshone by them in magnificence of toilet. Nor must I forget Bowles, who appeared shortly after breakfast in his new livery, with a tall hat half covered with a band and buckle, white gloves, and bright new boots and breeches. Bowles was a figure of immense importance, and contemplated himself with an air of amusing gravity, as he moved up and down in front of the house, much to the amusement of the visitors at Bright's Inn. A bunch of flowers had been provided for his button hole; and he was to drive the happy couple to and from church, an honor he seemed to appreciate fully.
Lucas Cranach (1472-1553) was a Franconian master, who settled in Saxony and was successively court-painter to three Electors and the leader of a small local school there. He, perhaps, studied under Gruenewald, but was so positive a character that he showed no strong school influence. His work was fantastic, odd in conception and execution, sometimes ludicrous, and always archaic-looking. His type was rather strained in proportions, not always well drawn, but graceful even when not truthful. This type was carried into all his works, and finally became a mannerism with him. In subject he was religious, mythological, romantic, pastoral, with a preference for the nude figure. In coloring he was at first golden, then brown, and finally cold and sombre. The lack of aerial perspective and shadow masses gave his work a queer look, and he was never much of a brushman. His pictures were typical of the time and country, and for that and for their strong individuality they are ranked among the most interesting paintings of the German school. Perhaps his most satisfactory works are his portraits. Lucas Cranach the Younger (1515-1586) was the best of the elder Cranach's pupils. Many of his pictures are attributed to his father. He followed the elder closely, but was a weaker man, with a smoother brush and a more rosy color. Though there were many pupils the school did not go beyond the Cranach family. It began with the father and died with the son.
Manifestly the king would not grant so much. On the occasion of his confirming the charter he demanded that the oath of allegiance be taken by the people of the colony; that justice be administered there in his name; and that the franchise be extended to all freemen of sufficient substance, with the liberty to use in worship, public and private, the forms of the English Church. The people obeyed but in part, for they would not even appear to admit the king's will to be their law. The franchise was slightly extended, in a grudging way, but no new religious privileges were at this time conceded. Unfortunately political and religious liberty were now in conflict. It was worse for the Baptists and Quakers that the king favored them, and the treatment which they received in the colony inclined them to the royalist side in the controversy.
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