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Bentarasko Benta Section 16
Page 01
Then he walks away at once in silence, leaning on the arm of Theseus, and when at last the watchers dare to look, they see Theseus afar off, alone, screening his eyes with his hand, as if some sight too dreadful for mortal eyes had passed before him; but OEdipus is gone, and not with lamentation, but in hope and wonder. Even when Hamlet dies, and the peal of ordnance is shot off, it is to congratulate him upon his escape from unbearable woe; and that is the same in life. If our eye falls on the sad stories of men and women who have died by their own hand, how seldom do they speak in the scrawled messages they leave behind them as though they were going to silence and nothingness! It is just the other way. The unhappy fathers and mothers who, maddened by disaster, kill their children are hoping to escape with those they love best out of miseries they cannot bear; they mean to fly together, as Lot fled with his daughters from the city of the plain. The man who slays himself is not the man who hates life; he only hates the sorrow and the shame which make unbearable that life which he loves only too well. He is trying to migrate to other conditions; he desires to live, but he cannot live so. It is the imagination of man that makes him seek death; only the animal endures, but man hurries away in the hope of finding something better.
Full forty kinds of myriapods occur in any area comprising one hundred square miles in the eastern United States. About twenty-five of them go by the general name of "thousand-legs" or millipedes, as each has from forty to fifty-five cylindrical rings in the body, and two pairs of legs to each ring. The other fifteen belong to the "centipede" group, the body consisting of about sixteen flattened segments, or rings, each bearing a single pair of legs. When disturbed, the "thousand-legs" generally coils up and remains motionless, shamming death, or "playing possum," as it is popularly put, as a means of defence; while the centipede scampers hurriedly away and endeavors to hide beneath leaf, chip, or other object.
Chuganaai at once sent for Doh, the Fly, to come and erect a _kache{~COMBINING BREVE~}_, or sweat-house. It took but a short time to put up the framework, which Stenatlihan covered closely with four heavy clouds: a black cloud on the east, a blue one on the south, a yellow one on the west, and a white one on the north. Out in front of the doorway, at the east, she spread a soft red cloud for a foot-blanket after the sweat. Twelve stones were heated in a fire, and four of them placed in the _kache{~COMBINING BREVE~}_. Kuterastan, Stenatlihan, Chuganaai, and Hadintin Skhin each inspected the sweat-house and pronounced it well made. The three newcomers were bidden to enter and were followed by Chuganaai, Nilchidilhkizn, Ndidilhkizn, Nokuse, and Doh. The eight sang songs as their sweat began. Chuganaai led, singing four songs, and each of the others followed in turn with the same number. They had had a good sweat by the time the songs were finished, so Stenatlihan removed the black cloud and all came out. She then placed the three strangers on the red-cloud blanket, and under the direction of Kuterastan made for them fingers, toes, mouth, eyes, ears, hair, and nose. Then Kuterastan bade them welcome, making the boy, whom he called Yadilhkih Skhin, Sky Boy, chief of the sky and its people. The second he named Nigostu{~COMBINING BREVE~}n Nali{~COMBINING BREVE~}n, Earth Daughter, and placed her in charge of the earth and its crops; while to the third, Hadinin Nali{~COMBINING BREVE~}n, Pollen Girl, was assigned the care of the health of the earth's people. This duty also devolved upon Hadintin Skhin, but each looks more to the welfare of his own sex than to that of the other.
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