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Bentarasko Benta Section 07
Page 03
On the infrequent occasions when the dry-paintings are employed, the medicine-man in charge of the ceremony directs his assistants, at daylight, to begin the painting. When it is finished he takes his station close to the easternmost figure of the painting, on its northern side. At the right of the medicine-man sit twelve chosen singers with a drum. The four masked _gaun_, or gods, at the same time take their places at the cardinal points. The patient then enters from the east and sits down on the head of the large figure in the centre of the dry-painting. As he does so the medicine-man commences to sing, and is joined by the chorus at once. They may sing the song four times, or sing four different songs, or any multiple of four, at the pleasure of the medicine-man. When the songs are finished the four masked personages scrape the colored earths into a heap about the patient and rub them in handfuls over his body. If this ceremony proves to be ineffectual, it is believed to be the will of the gods that the patient be not cured.
Among the favorite intimates of the king, perhaps the most prominent was the Duchess of Portsmouth. The king himself had raised her to that rank. She was a French girl, who came over, originally, from the Continent with a party of visitors from the French court. Her beauty, her wit, and her accomplishments soon made her a great favorite with the king, and for many years of his life she had exerted an unbounded and a guilty influence over him. She was a Catholic. Though not allowed to come to his bedside, she remained in her apartment overwhelmed with grief at the approaching death of her lover, and, strange as it may seem, she was earnestly desirous to obtain for him the spiritual succors which, as a Catholic, she considered essential to his dying in peace. After repeated and vain endeavors made in other ways to accomplish her object, she at length sent for the French ambassador to come to her rooms from the king's chamber, and urged him to do something to save the dying sinner's soul. "He is in heart a Catholic," said she. "I am sure he wishes to receive the Catholic sacraments. I can not do any thing, and the Duke of York is so full of business and excitement that he does not think of it. But something must be done."
How curious is the structure of the nest of the Bullfinch or Chaffinch! The inside of it is lined with cotton and fine silken threads; and the outside cannot be sufficiently admired, though it is composed only of various kinds of fine moss. The color of these mosses, resembling that of the bark of the tree in which the nest is built, proves that the bird intended it should not be easily discovered. In some nests, hair, wool, and rushes are cleverly interwoven. In others, the parts are firmly fastened by a thread, which the bird makes of hemp, wool, hair, or, more commonly, of spiders' webs. Other birds--as, for instance, the blackbird and the lapwing--after they have constructed their nests, plaster the inside with mortar; they then stick upon it, while quite wet, some wool or moss to give warmth; but all alike construct their nests so as to add to their security.
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