|
|
Bentarasko Benta Section 03
Page 04
Steen (1626?-1679) was almost the opposite of Terburg, a man of sarcastic flings and coarse humor who satirized his own time with little reserve. He developed under Hals and Van Ostade, favoring the latter in his interiors, family scenes, and drunken debauches. He was a master of physiognomy, and depicted it with rare if rather unpleasant truth. If he had little refinement in his themes he certainly handled them as a painter with delicacy. At his best his many figured groups were exceedingly well composed, his color was of good quality (with a fondness for yellows), and his brush was as limpid and graceful as though painting angels instead of Dutch boors. He was really one of the fine brushmen of Holland, a man greatly admired by Sir Joshua Reynolds, and many an artist since; but not a man of high intellectual pitch as compared with Terburg, for instance.
The principle of association, as every one knows, involves that whenever two things have been associated sufficiently together, the suggestion of one of them to the mind shall immediately raise a suggestion of the other. It is in virtue of this principle that language, as we so call it, exists at all, for the essence of language consists, as I have said perhaps already too often, in the fixity with which certain ideas are invariably connected with certain symbols. But this being so, it is hard to see how we can deny that the lower animals possess the germs of a highly rude and unspecialised, but still true language, unless we also deny that they have any ideas at all; and this I gather is what Professor Max Muller in a quiet way rather wishes to do. Thus he says, "It is easy enough to show that animals communicate, but this is a fact which has never been doubted. Dogs who growl and bark leave no doubt in the minds of other dogs or cats, or even of man, of what they mean, but growling and barking are not language, nor do they even contain the elements of language."
The Sun became angrier than ever and determined to have done with the trouble at once by killing the boys. From the eastern wall of the room projected numerous sharp spikes of white shell. There were turquoise spikes in the southern, abalone in the western, and jet in the northern walls. The boys were each hurled against the first of these, but dropped to the floor unharmed; then against the second, the third, and the fourth, with a like result. On the floor near the walls sat four large mortars with heavy pestles in them. The boys were placed in each of these successively and pounded, as their father thought, into fragments, but out of this also they came unharmed.
|
