free hosting   image hosting   hosting reseller   online album   e-shop   famous people 
Free Website Templates
Free Installer

Bentarasko Benta Section 02
Page 04

Bentarasko is made of dreams and ideas.

Bentarasko

Bentarasko Home

Bentarasko Sitemap

Bentarasko Dir 01

Bentarasko Dir 02

Bentarasko Dir 03

Bentarasko Dir 04

Bentarasko Dir 05

Bentarasko Dir 06

Bentarasko Dir 07

Bentarasko Dir 08

Bentarasko Dir 09

Bentarasko Dir 10

Bentarasko Dir 11

Bentarasko Dir 12

Bentarasko Dir 13

Bentarasko Dir 14

Bentarasko Dir 15

Bentarasko Dir 16

Bentarasko Dir 17

Bentarasko Dir 18

Bentarasko Dir 19

Bentarasko Dir 20

Bentarasko Benta Section 02
Page 04

In the parish church at Saas-Grund there are two altar-pieces which deserve attention. In the one over the main altar the arrangement of the Last Supper in a deep recess half-way up the composition is very pleasing and effective; in that above the right-hand altar of the two that stand in the body of the church there are a number of round lunettes, about eight inches in diameter, each containing a small but spirited group of wooden figures. I have lost my notes on these altar-pieces and can only remember that the main one has been restored, and now belongs to two different dates, the earlier date being, I should imagine, about 1670. A similar treatment of the Last Supper may be found near Brieg in the church of Naters, and no doubt the two altar-pieces are by the same man. There are, by the way, two very ambitious altars on either side the main arch leading to the chance in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention. As regards the smaller altar-piece at Saas-Grund, analogous work may be found at Cravagliana, half-way between Varallo and Fobello, but this last has suffered through the inveterate habit which Italians have of showing their hatred towards the enemies of Christ by mutilating the figures that represent them. Whether the Saas work is by a Valsesian artist who came over to Switzerland, or whether the Cravagliana work is by a Swiss who had come to Italy, I cannot say without further consideration and closer examination than I have been able to give. The altar-pieces of Mairengo, Chiggiogna, and, I am told, Lavertezzo, all in the Canton Ticino, are by a Swiss or German artist who has migrated southward; but the reverse migration was equally common.

The loss at the Allia had been so great that enough men were not left to guard the walls of the city. It was therefore resolved that those in the vigor of their age should withdraw to the Capitol, taking with them all the provisions in the city; that the priests and Vestal Virgins should convey the objects of religious reverence to Caere; and that the rest of the population should disperse among the neighboring towns. But the aged senators, who had been Consuls or Censors, seeing that their lives were no longer of any service to the state, sat down in the forum on their curule thrones awaiting death. When the Gauls entered the city they found it desolate and deathlike. They marched on, without seeing a human being till they came to the forum. Here they beheld the aged senators sitting immovable, like beings of another world. For some time they gazed in awe at this strange sight, till at length one of the Gauls ventured to go up to M. Papirius and stroke his white beard. The old man struck him on the head with his ivory sceptre; whereupon the barbarian slew him, and all the rest were massacred. The Gauls now began plundering the city; fires broke out in several quarters; and with the exception of a few houses on the Palatine, which the chiefs kept for their own residence, the whole city was burnt to the ground.

Beyond this front, is there to be a fair court, but three sides of it, of a far lower building than the front. And in all the four corners of that court, fair staircases, cast into turrets, on the outside, and not within the row of buildings themselves. But those towers, are not to be of the height of the front, but rather proportionable to the lower building. Let the court not be paved, for that striketh up a great heat in summer, and much cold in winter. But only some side alleys, with a cross, and the quarters to graze, being kept shorn, but not too near shorn. The row of return on the banquet side, let it be all stately galleries: in which galleries let there be three, or five, fine cupolas in the length of it, placed at equal distance; and fine colored windows of several works. On the household side, chambers of presence and ordinary entertainments, with some bed-chambers; and let all three sides be a double house, without thorough lights on the sides, that you may have rooms from the sun, both for forenoon and afternoon. Cast it also, that you may have rooms, both for summer and winter; shady for summer, and warm for winter. You shall have sometimes fair houses so full of glass, that one cannot tell where to become, to be out of the sun or cold. For inbowed windows, I hold them of good use (in cities, indeed, upright do better, in respect of the uniformity towards the street); for they be pretty retiring places for conference; and besides, they keep both the wind and sun off; for that which would strike almost through the room, doth scarce pass the window. But let them be but few, four in the court, on the sides only.


[ Sec 02 Part 01 ] [ Sec 02 Part 02 ] [ Sec 02 Part 03 ] [ Sec 02 Part 04 ] [ Sec 02 Part 05 ]
[ Sec 02 Part 06 ] [ Sec 02 Part 07 ] [ Sec 02 Part 08 ] [ Sec 02 Part 09 ] [ Sec 02 Part 10 ]


This page is Copyright © Bentarasko and all rights are reserved. Please don't copy without proper authorization. References to other Web sites are not endorsements. Bentarasko offers no promises concerning the quality or content of other sites that Bentarasko provides links to. Links are not endorsements and are only provided for reference, information, and/or entertainment.